A Clockwork Orange
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A vicious fifteen-year-old droog is the central character of this 1963 classic. In Anthony Burgess's nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, who talks in a brutal invented slang that brilliantly renders his and his friends' social pathology. A Clockwork Orange is a frightening fable about good and evil, and the meaning of human freedom. When the state undertakes to reform Alex to "redeem" him, the novel asks, "At what cost?"
Shakespeare
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Like Burgess's early novel, Nothing Like the Sun: A Story of Shakespeare's Love-Life, this equally delightful factual treatment of what we know of the Bard combines Burgess's stimulating erudition and his well-informed imagination. The result is at once a speculative biography, a theatrical history, and a re-creation of the Elizabethan age. Whether a vivid retracing of the evolution Elizabethan theater, a bravura reconstruction of the first performance of Hamlet, an infiltration of the intricacies of the court of the Virgin Queen, or an elegy on the era's end with the disastrous Essex Rebellion, Burgess sets the stage for England's most glorious time and turns the spotlight on the figure of William Shakespeare.
George Eliot was the pen name of Mary Ann Evans, a novelist who produced some of the major classic novels of the Victorian era. It is impossible to overestimate the significance of Eliot’s novels in the English culture: they went right to the heart of the small-town politics that made up the fabric of English society. Her novels were essentially political: Middlemarch is set in a small town just as the Reform Bill of 1832 was about to be introduced. She goes right into the minutia of the town’s people’s several concerns, creating numerous immortal characters whose interactions reveal Eliot’s deep insight into human psychology.
Middlemarch
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George Eliot’s novel, Middlemarch: A Study of Provincial Life, explores a fictional nineteenth-century Midlands town in the midst of modern changes. The proposed Reform Bill promises political change; the building of railroads alters both the physical and cultural landscape; new scientific approaches to medicine incite public division; and scandal lurks behind respectability. The quiet drama of ordinary lives and flawed choices are played out in the complexly portrayed central characters of the novel—the idealistic Dorothea Brooke; the ambitious Dr. Lydgate; the spendthrift Fred Vincy; and the steadfast Mary Garth
Silas Marner
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Silas Marner: The Weaver of Raveloe is the third novel by George Eliot, published in 1861. An outwardly simple tale of a linen weaver, it is notable for its strong realism and its sophisticated treatment of a variety of issues ranging from religion to industrialization to community.
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John Ronald Reuel Tolkien was a major scholar of the English language. Twice Professor of Anglo-Saxon (Old English) at the University of Oxford, he also wrote a number of stories, including most famously The Hobbit and The Lord of the Rings, which are set in a pre-historic era in an invented version of our world. This was peopled by Men (and women), Elves, Dwarves, Trolls, Orcs (or Goblins) and of course Hobbits. He has regularly been condemned by the Eng. Lit. establishment, with honourable exceptions, but loved by literally millions of readers worldwide.
The Hobbit
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Bilbo Baggins is a hobbit who enjoys a comfortable, unambitious life, rarely traveling any farther than his pantry or cellar. But his contentment is disturbed when the wizard Gandalf and a company of dwarves arrive on his doorstep one day to whisk him away on an adventure. They have launched a plot to raid the treasure hoard guarded by Smaug the Magnificent, a large and very dangerous dragon. Bilbo reluctantly joins their quest, unaware that on his journey to the Lonely Mountain he will encounter both a magic ring and a frightening creature known as Gollum.
The Lord of the Rings
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In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell by chance into the hands of the hobbit Bilbo Baggins. From Sauron's fastness in the Dark Tower of Mordor, his power spread far and wide. Sauron gathered all the Great Rings to him, but always he searched for the One Ring that would complete his dominion. When Bilbo reached his eleventy-first birthday he disappeared, bequeathing to his young cousin Frodo the Ruling Ring and a perilous quest: to journey across Middle-earth, deep into the shadow of the Dark Lord, and destroy the Ring by casting it into the Cracks of Doom. The Lord of the Rings tells of the great quest undertaken by Frodo and the Fellowship of the Ring: Gandalf the Wizard; the hobbits Merry, Pippin, and Sam; Gimli the Dwarf; Legolas the Elf; Boromir of Gondor; and a tall, mysterious stranger called Strider.
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Thomas Hardy was an English novelist and poet. A Victorian realist, he was influenced both in his novels and in his poetry by Romanticism. Char;es Dickens was another important influence. Like Dickens, he was highly critical of much in Victorian society, though Hardy focused more on a declining rural society. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of novels. Hardy's poetry, though prolific, was not as well received during his lifetime. It was rediscovered in the 1950s, when Hardy's poetry had a significant influence on the Movement poets of the 1950-60s. Most of his fictional works – initially published as serials in magazines – were set in the semi-fictional region of Wessex. They explored tragic characters struggling against their passions and social circumstances. Hardy's Wessex is based on the Medieval Anglo-Saxon kingdom and eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England.
The Mayor of Casterbridge
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In a fit of drunken anger, Michael Henchard sells his wife and baby daughter for five guineas at a country fair. Over the course of the following years, he manages to establish himself as a respected and prosperous pillar of the community of Casterbridge, but behind his success there always lurk the shameful secret of his past and a personality prone to self-destructive pride and temper. Subtitled "A Story of a Man of Character," Hardy's powerful and sympathetic study of the heroic but deeply flawed Henchard is also an intensely dramatic work, tragically played out against the vivid backdrop of a close-knit Dorsetshire town.
Far from the Madding Crowd
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In Thomas Hardy’s first major literary success, independent and spirited Bathsheba Everdene has come to Weatherbury to take up her position as a farmer on the largest estate in the area. Her bold presence draws three very different suitors: the gentleman-farmer Boldwood, the soldier-seducer Sergeant Troy, and the devoted shepherd Gabriel Oak. Each, in contrasting ways, unsettles her decisions and complicates her life, and tragedy ensues, threatening the stability of the whole community. One of his first works set in the semi-fictional region of Wessex, Hardy’s novel of swift passion and slow courtship is imbued with his evocative descriptions of rural life and landscapes, and with unflinching honesty about sexual relationships.
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Charles Dickens is much loved for his great contribution to classic English literature. He was the quintessential Victorian author. His epic stories, vivid characters and exhaustive depiction of contemporary life are unforgettable. His own story is one of rags to riches. Like many others, he began his literary career as a journalist. His own father became a reporter and Charles began with the journals 'The Mirror of Parliament' and 'The True Sun'. Then in 1833 he became parliamentary journalist for The Morning Chronicle. With new contacts in the press he was able to publish a series of sketches under the pseudonym 'Boz'. In April 1836, he married Catherine Hogarth, daughter of George Hogarth who edited 'Sketches by Boz'. Within the same month came the publication of the highly successful 'Pickwick Papers', and from that point on there was no looking back for Dickens.
Great Expectations
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In this unflaggingly suspenseful story of aspirations and moral redemption, humble, orphaned Pip, a ward of his short-tempered older sister and her husband, Joe, is apprenticed to the dirty work of the forge but dares to dream of becoming a gentleman. And, indeed, it seems as though that dream is destined to come to pass — because one day, under sudden and enigmatic circumstances, he finds himself in possession of "great expectations." In telling Pip's story, Dickens traces a boy's path from a hardscrabble rural life to the teeming streets of 19th-century London, unfolding a gripping tale of crime and guilt, revenge and reward, and love and loss. Its compelling characters include Magwitch, the fearful and fearsome convict; Estella, whose beauty is excelled only by her haughtiness; and the embittered Miss Havisham, an eccentric jilted bride.
Bleak House
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A savage, but often comic, indictment of a society that is rotten to the core, Bleak House is one of Dickens's most ambitious novels, with a range that extends from the drawing rooms of the aristocracy to the poorest of London slums.
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And much others. (Some are available in electronic resource, DVD and/or videorecording)
A keen observer of the trends of his time Orwell forged his two great novels: Animal Farm and 1984, from those observations and, particularly in the case of 1984 he emerged as a kind of prophet, warning society about where it seemed to be heading. In the novel people have become dehumanized, governed by an unseen administration that controls them with a fast-growing technology. The novel makes the future look bleak. Governments since the book came out have often been warned by their critics of bringing the country closer to nineteen eighty four, with the increase of such things as censorship and camera surveillance. The language Orwell used in writing this novel contains many words and phrases which he employed to create the dystopian world of the novel. Some of the words and phrases he invented have entered into the English language and are used routinely, eg. Big Brother, thought police, Room 101, thoughtcrime, doublethink.
1984
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Written in 1948, 1984 was George Orwell’s chilling prophecy about the future. And while 1984 has come and gone, Orwell’s narrative is timelier than ever. 1984 presents a startling and haunting vision of the world, so powerful that it is completely convincing from start to finish. No one can deny the power of this novel, its hold on the imaginations of multiple generations of readers, or the resiliency of its admonitions—a legacy that seems only to grow with the passage of time.
Animal Farm
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Animal Farm is the most famous by far of all twentieth-century political allegories. Its account of a group of barnyard animals who revolt against their vicious human master, only to submit to a tyranny erected by their own kind, can fairly be said to have become a universal drama. Orwell is one of the very few modern satirists comparable to Jonathan Swift in power, artistry, and moral authority; in animal farm his spare prose and the logic of his dark comedy brilliantly highlight his stark message. Taking as his starting point the betrayed promise of the Russian Revolution, Orwell lays out a vision that, in its bitter wisdom, gives us the clearest understanding we possess of the possible consequences of our social and political acts.
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Jane Austen prods away at the social conventions of her time and how they fashion and condition the English landed gentry, the people she socialised with and whom she observed closely. She reveals the little preoccupations and concerns of the ladies and the gentlemen and the young women in those circles, and she leads us to laugh at them. Sometimes the goading is gentle and sometimes it’s savage. And every novel tells a gripping story, full of tension, with mysteries where we are kept waiting for their final resolution, when everything falls into place – very much like the best detective novels of our time.
The Complete Novels of Jane Austen
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This beautifully packaged set includes Austen’s six great masterpieces: Pride and Prejudice, Emma, Sense and Sensibility, Northanger Abbey, Mansfield Park, and Persuasion; along with Lady Susan, an epistolary novel. Each handsomely bound volume features charming four-color illustrations and gorgeous design elements throughout. Housed in an elegant slipcase with a magnetic closure, this collection is an essential addition to every Austen fan’s library.
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Born into a privileged English household in 1882, writer Virginia Woolf was raised by free-thinking parents. She began writing as a young girl and published her first novel, The Voyage Out, in 1915. Her nonlinear, free form prose style inspired her peers and earned her much praise. She was also known for her mood swings and bouts of deep depression. She committed suicide in 1941, at the age of 59.
Mrs. Dalloway
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In Mrs. Dalloway, the novel on which the movie The Hours was based, Virginia Woolf details Clarissa Dalloway’s preparations for a party of which she is to be hostess, exploring the hidden springs of thought and action in one day of a woman’s life. The novel "contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century" (Michael Cunningham).
To the Lighthouse
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The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.
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William Shakespeare was baptized on April 26, 1564, in Stratford-upon-Avon, England. From roughly 1594 onward he was an important member of the Lord Chamberlain’s Men company of theatrical players. Written records give little indication of the way in which Shakespeare’s professional life molded his artistry. All that can be deduced is that over the course of 20 years, Shakespeare wrote plays that capture the complete range of human emotion and conflict.
Macbeth
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In 1603, James VI of Scotland ascended the English throne, becoming James I of England. London was alive with an interest in all things Scottish, and Shakespeare turned to Scottish history for material. He found a spectacle of violence and stories of traitors advised by witches and wizards, echoing James’s belief in a connection between treason and witchcraft. In depicting a man who murders to become king, Macbeth teases us with huge questions. Is Macbeth tempted by fate, or by his or his wife’s ambition? Why does their success turn to ashes? Like other plays, Macbeth speaks to each generation. Its story was once seen as that of a hero who commits an evil act and pays an enormous price. Recently, it has been applied to nations that overreach themselves and to modern alienation. The line is blurred between Macbeth’s evil and his opponents’ good, and there are new attitudes toward both witchcraft and gender.
Romeo and Juliet
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In Romeo and Juliet, Shakespeare creates a violent world, in which two young people fall in love. It is not simply that their families disapprove; the Montagues and the Capulets are engaged in a blood feud. In this death-filled setting, the movement from love at first sight to the lovers’ final union in death seems almost inevitable. And yet, this play set in an extraordinary world has become the quintessential story of young love. In part because of its exquisite language, it is easy to respond as if it were about all young lovers.
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